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FAQ - WORKSHOP PHOTOGRAPHY
This is a FAQ as part of my photography ...

A. Exposure Triangle: Aperture, Shutter Speed and ISO
(1/3) APERTURE
1. What is the diaphragm in a lens?
It's the adjustable opening that controls how much light enters the camera (the aperture).
2. Why are apertures expressed as f/1.4, f/2, f/2.8, etc?
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These numbers (called f-numbers or f-stops) are part of a standard scale used in photography to describe the size of the aperture: the opening in the lens that lets light in.
The scale goes like this:
f/1.0, f/1.4, f/2.0, f/2.8, f/4, f/5.6, f/8, f/11, f/16, f/22, etc: depends on the lens.
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Each full stop change on this scale either halves or doubles the amount of light entering the camera.
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3. Explain this 'stop' in more detail:
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Each full stop change on this scale either halves or doubles the amount of light entering the camera.
This concept is called a 'stop' or more specifically a 'full stop' in photography. A stop is a unit of measurement used to describe doubling or halving the amount of light in exposure. It's used with aperture, shutter speed, and ISO.
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Here's how:
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Going from f/2 to f/2.8: the aperture gets smaller → lets in half as much light.
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Going from f/4 to f/2.8: the aperture gets larger → doubles the amount of light.
So, even though the numbers seem irregular, they follow a mathematical pattern based on square roots of 2 (~1.41). This ensures each step is a doubling or halving of light — which matches how exposure is calculated in photography.
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4. What is this mathematical pattern based on square roots of 2?
Each next f-number is approximately equal to the previous f-number times the squared root of 2.
f/1 → f/1.4 → f/2 → f/2.8 → f/4 → f/16 → ...
These are rounded for practical use but mathematically grounded in this sqrt(2) pattern.
5. Why do we multiply the previous f-stop by the square root of 2 in photography?
In photography, we multiply the previous f-stop by sqrt(2) (about 1.414) because the amount of light entering the lens depends on the area of the aperture opening, which is proportional to the square of the diameter.
Here's why:
The f-stop number is a ratio:​
f-number = (focal length)/(aperture diameter)
--> To halve or double the light, we need to halve or double the aperture area (not just the diameter).
- Since the area of a circle is pi * (diameter/2)^2 , the area changes with the square of the diameter.
- Therefore, to double or halve the light, the aperture diameter changes by a factor of sqrt(2) (because (sqrt(2))^2=2).
- So, when you multiply an f-stop by sqrt(2), you're moving to the next standard aperture size that lets in half (or twice) as much light, keeping exposure changes consistent.​​​​​
3. Where do aperture numbers come from?
They're derived from the focal length divided by the diameter of the opening.
Let's say you have a 50mm lens (that's the focal length), and the opening inside the lens (the aperture) is 25mm wide.
Then the f-number is:
f-number = 50mm / 25mm = f/2
So that setting is called f/2.
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4. What does the letter "f" represent in f-stop/f-number?
The “f” in f-stop or f-number stands for “focal length.” The f-number is the ratio of the lens’s focal length divided by the diameter of the aperture opening. So, it’s called an f-number because it describes how big the aperture is relative to the focal length of the lens.
4. What is an f-stop/f-number
An f-stop (or f-number) is a number that describes the size of a camera lens’s aperture, controlling how much light enters the camera. A smaller f-stop (like f/1.8) means a larger aperture, more light, and less of the image in focus (shallow depth of field), while a larger f-stop (like f/16) means a smaller aperture, less light, and more of the image in focus (deep depth of field).
5. What is the smallest and largest f-stop?
It depends on the lens. Some go as wide as f/1.2 and as small as f/22 or more.
6. How does aperture affect depth of field?
Wider apertures (lower f-numbers) create a shallower depth of field, less is in focus.
7. What is a 'stop of light'?
Doubling or halving the light in your exposure
8. What is 'bokeh' ?
Bokeh refers to the quality of the blurred background in a photo, making the subject stand out. It's created by using a wide aperture (small f-number), which produces a shallow depth of field. Longer focal length lenses and being close to your subject also increase background blur. Having a distant background from the subject makes the blur more pronounced. The shape and smoothness of bokeh depend on the lens design and aperture blades.
9. What is the difference between f/1.8 and f/2.8?
f/1.8 allows more light in, ideal for low light or shallow depth of field.
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(2/3) SHUTTER SPEED
1. What is shutter speed?
It's the time the sensor (or film) is exposed to light.
2. What's a fast shutter speed?
Usually 1/500s or faster, freezes the motion.
3. What's a slow shutter speed?
1/60s or slower, can create motion blur or light trails.
4. How do I choose the right shutter speed?
Depends on motion: 1/100s for hand movement, 1/1000s for racing cars.
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(3/3) ISO
1. What is ISO?
ISO controls the sensor's sensitivity to light.
2. What does ISO do in low light?
Higher ISO brightens the image but adds noise.
3. Why prefer low ISO in good light?
To reduce digital noise and preserve image quality.
4. What is diffraction?
Image softness at very small apertures (like f/22).
5. What is lens flare?
Light artifacts caused by direct light hitting the lens.
B. Lenses & Optics
1. What is focal length?
Focal length is the distance (in millimeters) between the optical center of a lens and the camera sensor (or film) when the lens is focused at infinity. So the focal length tells you how far the optical center is from the image surface
It's usually written on the lens, like 50mm, 24mm, or 200mm.
* the optical center: is a point inside the lens where light rays converge before being projected onto the camera sensor.
* the sensor (or film): is where the image is captured: either a digital sensor or old-school film.
* when the lens is focused at infinity: means the lens is adjusted to focus on very distant subjects: like mountains or stars.
2. What does focal length affect?
a) The field of view (how much you see in the frame)
Short focal lengths (e.g. 24mm) = wide-angle view --> good for landscapes, architecture.
Long focal lengths (e.g. 200mm) = narrow view, but objects appear closer --> good for wildlife, sports.
b) Magnification/ zoom:
- a longer focal length makes subjects look larger in the frame.
- a shorter focal length makes things look farther away.
c) Depth of field (how much is in focus)
Longer focal lengths tend to create a shallower depth of field (more background blur).​
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3. What types of lenses are there?
Prime lens, zoom lens, telephoto, wide-angle, macro, kit lenses
4. What is a prime lens?
A prime lens is a lens with a fixed focal length (e.g. 35 mm, 50mm or 85mm).
5. Should I buy a prime or zoom lens?
Prime lenses are typically sharper, have wider apertures for low light and background blur, and are lightweight. Their fixed focal length encourages deliberate composition and offers great value.
Zoom lenses offer flexibility, covering multiple focal lengths in one lens: ideal for travel, events, or when you can't move freely. They're versatile and convenient for quickly adapting to different scenes.
6. What is a kit lens?
A kit-lens is an entry-level zoom lens, good to start but limited in low light.
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6. How does aperture affect sharpness?
Most lenses are sharpest between f/5.6-f/8 ("sweet spot").​​​
C. Camera bodies & sensors
How are full-frame, crop sensor camera's, DSLR and mirrorless related? What other types do we have?
Here is how full-frame, crop sensor, DSLR, and mirrorless all fit together, plus a quick look at other camera types:
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(1/4) Sensor Size:
Full-frame and crop sensor (APS-C) refer to the size of the camera's image sensor.
Full-frame sensors are larger (same size as 35mm film), crop sensors are smaller and "crop" the image.
(2/4) Camera Design
- DSLR (Digital Single-Lens Reflex) cameras use a mirror and optical viewfinder system. They can have full-frame or crop sensors.
- Mirrorless camera's don't have the mirror mechanism; they use electronic viewfinders or just the LCD screen. Mirrorless cameras can also have full-frame or crop sensors.
(3/4) Other Types of cameras
- Medium format cameras: have sensors even larger than full-frame, offering very high resolution and image quality (e.g., Fujifilm GFX).
- Compact cameras (point-and-shoot): small, fixed-lens cameras with smaller sensors, easy for casual use.
(4/4) Conclusion
Full-frame/crop sensor: describe sensor size.
DSLR/mirrorless describe the camera's internal design and viewfinder system.
Both DSLRs and mirrorless cameras can have either sensor size.
4. What's the difference between full-frame and crop sensor?
Full-frame sensors are the same size as 35mm film (36×24mm), while crop sensors (APS-C) are smaller. Because of their size, crop sensors capture a narrower field of view, effectively "zooming in" your lens. This is called the crop factor (typically 1.5× or 1.6×). For example, a 50mm lens on a crop sensor gives a field of view similar to a 75–80mm lens on full-frame. Full-frame cameras generally offer better low-light performance and shallower depth of field. Crop sensor cameras are more compact, lighter, and usually more affordable..
5. What is crop factor?
A multiplier that affects effective focal length (e.g. 50mm on APS-C = 75mm).
6. What are full-frame camera's and crop sensor camera's?
Full-frame cameras have larger sensors and are available from Sony (e.g. A7 IV), Nikon (e.g. Z6 II), and Canon (e.g. R5), offering better low-light performance and depth of field control. Crop sensor (APS-C) cameras are more compact and affordable, found in Sony’s A6000 series, Nikon’s Z50 and Zfc, Canon’s R50 and R7, and nearly all of Fujifilm’s X-series like the X-T5. Fujifilm doesn’t make full-frame cameras but does offer high-end medium format models. Crop sensors narrow the field of view due to the crop factor, effectively “zooming in” the image. Each brand offers strong options in both categories, depending on your needs and budget.
6. What does DSLR mean?
DSLR stands for Digital Single-Lens Reflex. It refers to a type of digital camera that uses a mirror and prism system to let you see exactly what the lens sees through an optical viewfinder. When you press the shutter, the mirror flips up, the shutter opens, and the light hits the image sensor, capturing the photo.
DSLR have lost some ground to mirrorless cameras, which are more popular now. Mirrorless camera's tend to be smaller, lighter, faster, and offer advanced features like better autofocus and higher frame rates
1. What is a full-frame camera?
A camera with a sensor the size of 35mm film.​​​
2. What is a crop sensor (APS-C)?
A smaller sensor with a narrower field of view.
What does APS-C stand for?
APS-C stands for Advanced Photo System type-C. It's a sensor size format that originated from the Advanced Photo System (APS) film standard used in the 1990s. The "C" refers to the "Classic" APS film size, which is roughly the same size as today's APS-C digital sensors: smaller than full-frame but larger than many compact sensors.
2. What are examples of full-frame camera models? And examples of crop camera's?
xxx
4. What is the difference in depth of field on crop vs full-frame?
Crop sensors have more depth of field at the same aperture.
5. What is dynamic range?
The sensor's ability to retain detail in shadows and hightlights.
6. What is the difference between mechanical and electronic shutter?
Mechanical = physical shutter. Electronic = silent, no moving parts.
7. How does a camera sensor work?
It converts light into digital data through photosites (pixels).
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D. Analog Photography (Film)
3. How do I load a new roll of film in an analog camera (link)
1. Open the back of the camera: open the rewind lever and push the 'button' inwards The back panel is open now.
2. Insert the film canister: the label of the film should be facing you. Put the bump on the bottom. Put is in the film chamber (usually on the left). Push down the rewind knob or lever to secure the 35mm film.
3. Pull the film leader across: gently pull the end of the film (the "leader") across to the right side. Grip the start of the film into a slot on the take-up spool or feed it into the spool gears, depending on your camera.
4. Advance the film: wind the film advance lever (as if you were going to take a photo) and press the shutter once or twice to make sure the film is properly engaged on the take-up spool. Watch that the 'teeth' catch the holes in the film.
5. Close the back and wind to frame 1: close the camera back securely. Advance and shoot until the counter reads "1" : your first usable frame. As you rewind you should see the rewind button on the left moving along. That is confirming that the film is actually moving in the camera.
2. Rewinding and unloading film from a 35mm camera
(link)
1. Film release button: Find the film release button on the bottom of your camera.
2. Open left rewind crank: Open up the film rewind crank on the left -just that leg thing, (don't pull up yet).
3. Rewind the film until you hear the film release in the camera. You will hear a popping sound.
3. Pull-up the rewind button on the left
4. You can open the camera and get the film roll.
1. What types of film are available?
Kodak Portra, Ilford HP5, Fujifilm, Cinestill: each with unique color or grain.
2. Tell me more about each film.
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4. How many photos per roll?
35mm film: 24 or 36 exposures.
5. What ISO film should I use?
ISO 100-200 for daylight, 400 for cloudy, 800+ for night.
6. Can I shoot one roll in different lighting?
Yes, but use flexible film like Portra 400 for better results.
7. What is the sunny 16 rule?
.k
8. What does it mean to 'push film'? and can I do that?
Pushing film means...: Shoot at a higher ISO and adjust development time. ​​
E. Shooting modes & camera functions
1. What are the main camera modes?
Manual (M)
Aperture Priority (A/Av)
Shutter Priority (S/Tv)
Program (P)
2. Can you explain them briefly?
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3. What is the best mode for beginners?
Aperture priority for control + speed
4. When should I shoot in manual?
When lighting is stable or for full creative control (e.g. street, night).
5. What is exposure compensation?
A quick way to make your image lighter or darker in semi-auto modes.
6. What is metering?
How your camera measures light to determine correct exposure?
7. What are metering modes?
Spot (small area), center-weighted, evaluative (entire scene)
8. What's RAW vs JPEG?
RAW keeps all data for editing. JPEG is processed, smaller, and ready to use.
9. How does white balance affect photos?
It controls the color temperature - e.g. warm indoor vs cool daylight.
What is M-S...? and all the other buttons on my camera?!
..
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F. Best practices for beginners street photographers
1. Best settings for street photography?
Aperture priority
f/5.6-f/8
Auto ISO
1/250+
2. How to freeze action?
1/250s (walking)
1/1000s+ (cycling, cars).
3. How can I adjust for harsh contrast?
Use exposure compensation or spot metering.
4. How do I capture candid moments?
Stay casual, shoot from the hip, or wait patiently.
5. What makes a good street shot?
Light, timing, emotion, and clean composition.
--> I've made a class about Composition in Photography!
6. Where should I stand?
Look for symmetry, lines, clean backgrounds.
7. Cut off people in the frame?
Yes, but avoid joints. Make it look intentional.​​​​​
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